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METAL DIGITAL MAGAZINE
Sunday, January 3, 2021
EWIGKEIT: Release Opening Track Patent of Death from Upcoming EP Depopulate
Lindsey Cottingham May 6,1986- Dec. 30,2020
This is hard for me write. Yesterday, the Indie Music Scene lost a true warrior. Due to medical conditions, Artist Manager Lindsey Cottingham (House of Curses, Stays in Vegas, Bittersweet Empty) has been taken from us too soon. Lindsey was a fierce advocate for Military Personnel, Veterans and Unsigned Artists.
Most of her work was in the State of Arkansas but she’s worked with many organizations across the globe to advance her artists careers. She’s survived by her 3 Children. I’m calling on the metal community to please donate to the 2 fundraisers that are set up in her name.
The links are posted below:
Bio: Lindsey was a selfless, caring person who constantly put others before herself. Not only was she our (House of Curses) manager, She was also the founder of so many non profit causes and now that she’s gone, her children and her family need us now. I know this year hasn’t been easy on anyone and Lindsey wouldn’t take any kind of handout, but if you have it laid on your heart to donate anything you can, I will make sure this money gets to the people that need it the most.
Lindsey you will be sorely missed by so many.
God Bless and God Speed... – Josh Thompson, Guitarist, House of Curses
You can also contact MK Music USA with any questions pertaining to the donations.
Dear Lindsey, your fight is over, may we meet again across the stars. – Nolan Hodges, MK Music USA
Saturday, January 2, 2021
EMBELLISH "Descending Angel" (Official video)
Cover of the mythical rock-punk band MISFITS.
Download/Stream now at www.embellishband.bandcamp.com
Facebook: www.facebook.com/embellishband
Instagram: @embellishband
Twitter: @embellishband
℗ The Fish Factory
Directed by Xavi NOVA ERA PRODUCCIONS
Limited LP Vinyl and CD orders:
www.facebook.com/Undertakerecords
Music and lyrics by MISFITS
Composer: Daniel Ray
Lyricist: Daniel Ray
Composer: David Calabrese
Composer: Jerry Caiafa
Composer: Paul Caiafa
Composer: Michael Emanuel
Death & Legacy - Dead Soul - (Lyric Video Official)
Official Lyric video for “Dead Soul” of the Spanish metal band Death & Legacy
Order new album "INF3RNO" now! click the link: https://duqueproducciones.com/product...
https://duqueproducciones.com/product...
Album released on march 20, 2020
✔️Follow us!:
http://deathandlegacy.com/
https://www.facebook.com/deathandlegacy/
http://duqueproducciones.com/
✔️Hiring:
contratacion@duqueproducciones.com
jcamara@duqueproducciones.com
info@deathandlegacy.com
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"Lyric video and artworks by Gustavo Sazes"
G U S T A V O S A Z E S
Digital Artist & Art Director
www.gustavosazes.com
www.facebook.com/gustavosazes
www.instagram.com/gustavosazes
BETRAYED "THE UNBELIEVER" [PROMO]
Visual stream of the title track from the release "THE UNBELIEVER" being released on January 22, 2021.
THRASHBACK RECORDS STORE: www.thrashbackrecords.bigcartel.com
MALAKHIM stream IRON BONEHEAD debut album at Black Metal Promotion
Today, Swedish black metal elite Malakhim stream the entirety of their highly anticipated debut album, Theion, at the Black Metal Promotion YouTube channel. Set for international release on January 8th via Iron Bonehead Productions, hear Malakhim's Theion in its entirety exclusively HERE.
Formed in 2017 and hailing from Sweden, Malakhim's ascent has been meteoric if not patient. First came the band's self-released debut demo, which Iron Bonehead then released on CD and vinyl in 2018, furthering the Malakhim name and whetting appetites for yet more mastery. Still, for a first recording, Demo I indeed breathed mastery: patiently unfolding vortexes of orthodox black metal with more than a bit of death metalled muscle, all in obeisance to the powers of The Beyond, and coalescing into a fever-dreaming fury of hellish hysteria.
Malakhim may've been new in name, but there in fact exists a wealth of experience in their ranks, and that name stands on its own merits. And they swiftly proved that with the four-song/21-minute mini-album II, released during the spring of 2019 via Iron Bonehead. No great changes took place in Malakhim's iron-clad sound, but the quintet continued to flesh it out in bolder, more Beyond-pushing shapes. Anticipation for a debut full-length hit a fever pitch, and understandably so.
At last, it arrives in the form of Theion. Immediately and mesmerizingly sounding like the Malakhim of the past two short-lengths, Theion strikes with precision and purpose, clarity and crush. One could say, quite rightly, that the album is the pinnacle of orthodox black metal for the rest of the 2020s and leave it at that - and that one would be right. Yet, step deeper into Theion and find a majestic-yet-malevolent melodicism that harkens back to the ancient days of No Fashion and Solistitium; just as equally, that melodicism twists in unexpected ways, exuding a modernity that's palpable, palatable, and exceptionally multi-faceted. Likewise, the quintet's songwriting explores all reaches of the sonic spectrum, from slipstreaming speed to rumbling repose - if anything, their aggression has gotten altogether nastier - and all is encased in a richly 3D production that's professional and powerful, dynamically detailed but without losing any urgency. Or, simply, the sum effect of Theion could be personified in the song title "The Splendour of Stillborn Stars"...
Suitably, the album is graced with evocative cover art courtesy of Mitchell Nolte. Rejoice, rejoice! The hammer of Satan is falling, and the empire is crumbling: in its place stands the towering monument of Malakhim's Theion.
In the meantime, a week before its international release, hear Theion in its entirety exclusively HERE, courtesy of the Black Metal Promotion YouTube channel. Aforementioned cover art and tracklisting are as follows:
Formed in 2017 and hailing from Sweden, Malakhim's ascent has been meteoric if not patient. First came the band's self-released debut demo, which Iron Bonehead then released on CD and vinyl in 2018, furthering the Malakhim name and whetting appetites for yet more mastery. Still, for a first recording, Demo I indeed breathed mastery: patiently unfolding vortexes of orthodox black metal with more than a bit of death metalled muscle, all in obeisance to the powers of The Beyond, and coalescing into a fever-dreaming fury of hellish hysteria.
Malakhim may've been new in name, but there in fact exists a wealth of experience in their ranks, and that name stands on its own merits. And they swiftly proved that with the four-song/21-minute mini-album II, released during the spring of 2019 via Iron Bonehead. No great changes took place in Malakhim's iron-clad sound, but the quintet continued to flesh it out in bolder, more Beyond-pushing shapes. Anticipation for a debut full-length hit a fever pitch, and understandably so.
At last, it arrives in the form of Theion. Immediately and mesmerizingly sounding like the Malakhim of the past two short-lengths, Theion strikes with precision and purpose, clarity and crush. One could say, quite rightly, that the album is the pinnacle of orthodox black metal for the rest of the 2020s and leave it at that - and that one would be right. Yet, step deeper into Theion and find a majestic-yet-malevolent melodicism that harkens back to the ancient days of No Fashion and Solistitium; just as equally, that melodicism twists in unexpected ways, exuding a modernity that's palpable, palatable, and exceptionally multi-faceted. Likewise, the quintet's songwriting explores all reaches of the sonic spectrum, from slipstreaming speed to rumbling repose - if anything, their aggression has gotten altogether nastier - and all is encased in a richly 3D production that's professional and powerful, dynamically detailed but without losing any urgency. Or, simply, the sum effect of Theion could be personified in the song title "The Splendour of Stillborn Stars"...
Suitably, the album is graced with evocative cover art courtesy of Mitchell Nolte. Rejoice, rejoice! The hammer of Satan is falling, and the empire is crumbling: in its place stands the towering monument of Malakhim's Theion.
In the meantime, a week before its international release, hear Theion in its entirety exclusively HERE, courtesy of the Black Metal Promotion YouTube channel. Aforementioned cover art and tracklisting are as follows:
Tracklisting for Malakhim's Theion
1. There is a Beacon [6:57]
2. Merciless Angel of Pestilence [3:56]
3. Slither O Serpent [5:22]
4. Chalice of Ruin [5:02]
5. His Voiceless Whisper [4:56]
6. Hammer of Satan [3:39]
7. The Splendour of Stillborn Stars [5:08]
8. Theion [6:01]
MORE INFO:
www.facebook.com/
www.facebook.com/
1. There is a Beacon [6:57]
2. Merciless Angel of Pestilence [3:56]
3. Slither O Serpent [5:22]
4. Chalice of Ruin [5:02]
5. His Voiceless Whisper [4:56]
6. Hammer of Satan [3:39]
7. The Splendour of Stillborn Stars [5:08]
8. Theion [6:01]
MORE INFO:
www.facebook.com/
www.facebook.com/
POUNDER reveal second track from forthcoming new SHADOW KINGDOM album
Today, American metal torchbearers Pounder reveal the new track "Hard City." The track is the second to be revealedfrom the band's highly anticipated second album, Breaking the World, set for international release on January 29th via Shadow Kingdom Records. Hear Pounder's "Hard City" in its entirety HERE at Shadow Kingdom's Bandcamp.
It was but early 2019 when Pounder dropped their proud 'n' powerful debut album, Uncivilized. Sure, the band had a debut single and demo in 2017, early on in their career, which were teasingly trumped by the Faster Than Fire 7" from Shadow Kingdom during the summer of 2018, but Uncivilized truly put the band on the international metal map and made ears stand to attention. Despite their collective pedigree, Pounder's stock-in-trade showed itself as a seemingly effortless, unselfconscious conglomeration of classic metal styles - from a firm foundation of NWOBHM on to hints of early '80s speed metal, Sunset Strip flash, and AOR accessibility. No one song on Uncivilized was exactly like the other, and yet they all sounded like the same band, and awesomely so. So many anthems, so many metal moments the power-trio sent out into the world for 'heads the world over to commit to memory and mark their lives: simply put, Pounder made it look easy, and FUN.
Wasting no time keeping that envious momentum going, Pounder return just over a year later with all guns blazing on Breaking the World. Leaner, meaner, and all-too-accurately titled, Breaking the World sees the band - vocalist/guitarist Matt Harvey, bassist Alejandro Corredor, and lead guitarist Tom Draper - getting both heavier and more anthemic, more American in their metal but also more wide-ranging in their reach. Comprising seven songs in a satisfyingly compact 37 minutes, Breaking the World keeps the energy flowing freely across these more concertedly epic songs, but not once is there a feeling of bloat or padding out lengths just for the hell of it; these songs charge, HARD, and are painted with solos of a godly nature and all sorts of tasteful twists. Similarly, the hooks literally HOOK you in - we dare you to get the likes of "Never Forever" or the Manowarring title track outta your head...won't happen, no way!
Above all, just like Uncivilized before it, Breaking the World reaffirms what's so invigorating and life-affirming about the art of HEAVY METAL. "We won't live forever / we just get one chance / so let's do it right," Harvey sagely sings in the album's opening moments. And in this state of the world right now, more than ever do we need Pounder to break it and build it back up again. "Give Me Rock"? You shall have it!
In the meantime, hear the brand-new track "Hard City" HERE at Shadow Kingdom's Bandcamp, where the album can also be preordered. Also hear the previously revealed "Hard Road to Home" HERE at Shadow Kingdom's Bandcamp. Cover and tracklisting are as follows:
Tracklisting for Pounder's Breaking the World
1. Spoils of War [5:19]
2. Breaking the World [5:03]
3. Hard Road to Home [4:44]
4. Never Forever [5:13]
5. Hard City [5:24]
6. Give Me Rock [4:59]
7. Deadly Eyes [3:56]
NAPALM RECORDS Happy New Year 2021 🎆🎉
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SICILIAN ARTIST FOR CHARITY online "Happy Xmas (War Is Over)" new cover for charity
Sicilian Artists for Charity project is back with a new explosive Christmas cover song rearranged in a Symphonic Metal view. The Sicilian combo, with a new line-up, presents “Happy Xmas (War Is Over)” the famous Christmas anthem written by John Lennon & Yoko Ono. It's now available on YouTube and through digital distribution via Rockshots Records. The famous lyrical singer Laura Macrì from the band MaYaN is the one of the new members in the song. Once again the piece is arranged for the orchestra by Salvo Grasso (Hypersonic, Metatrone, Astralium) with the collaboration of the guitarist Salvo Calà. Mix & Mastering by Riccardo Samperi at TRP MUSIC Studio. Cover Artwork & graphics by Salvo Grasso, video editing by Antonio Gueli, Salvo Grasso and Salvo Calà.
The song is linked to an IBAN payment allocated to the Onlus Association “Amici delle missioni Sicilia” made up of health workers (doctors and nurses) and secular people from Sicily (Italy) who support through health aid and economic /social support activities (construction of schools and water wells, long distance adoptions, nutritional centers, maternal/child support) some populations of Guinea Bissau.
Below, the payments details through Bank and Post Office: IBAN Bank: IT67 U 05036 84150 CC10 318 68602 Payable to: Ass. Onlus “Amici delle Missioni Sicilia” Bank: Banca Agricola Popolare di Ragusa, Agenzia di Ramacca (CT) Bic/Swift Code: POPRIT31103 IBAN Post Office: IT47 T067 0116 9000 0101 9940 715 Payable to: Ass. Onlus “Amici delle Missioni Sicilia” Post Office: Ufficio Postale Ramacca Bic/Swift Code: BPPIITRRXXX
“Happy Xmas (War Is Over)” line-up
Laura Macrì (MaYaN) – vocals
Jo Lombardo (Ancestral, ex-Metatrone) – vocals
Eleonora Russo (Hypersonic) – vocals
Ylenia Sciacca – vocals
Daniele Barbagallo (Metatrone) – vocals
Alessio Piuma (This Is Michael/Michael Jackson Tribute) – vocals
Marzia Di Bisceglie – vocals
Agatino Reitano (Teatro Massimo Bellini/Catania) – vocals
Salvo Grasso (Hypersonic, Metatrone, Astralium) – orchestral arrangements, vocals
Salvo Calà – rhythm and solo guitars
Stefano “Ghigas” Calvagno (Metatrone, NefeshCore) – rhythm guitars
Antonello Giliberto – solo guitars
Dario Caruso (Hypersonic) – piano
Francesco Caruso (Hypersonic) – bass
William Signorelli – bass
Marco Maria Pennisi – drums
Maurizio Salerno – violin/viola
Jessica Seminara – violin
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